The Great Cycle: and the Rebirth of Divine Knowledge

Every culture on Earth carries a memory of fire, flood, and rebirth. From the Sumerians to the Egyptians, from Vedic seers to Native American shamans, myths remind us of a truth science is only beginning to rediscover: humanity does not move in a straight line. We rise, we fall, we forget—only to rise again.

My upcoming book is born from this great cycle. It is not just a novel, but a mythic retelling grounded in alternative history, prophetic vision, and the science of cosmic upheaval.

Ancient Cataclysms and Alternative History

The foundation of my work draws on researchers who challenge the conventional timeline. Some propose that recurring comet streams—especially within the Taurid complex—periodically shape human destiny; others chart planet-wide cataclysms that scar both geology and myth. The late-Pleistocene impact hypothesis reminds us that, around 12,800 years ago, a sudden event may have nearly extinguished emerging civilization.

I also engage with entheogenic interpretations of religious origins—the view that psychoactive rites and visionary states shaped early theologies. After years of study—reading well over a hundred texts, tracing cultural evolution, and backpacking to remote sites—I’ve reached similar possibilities, often a layer deeper.

Layered atop these cycles are celestial rhythms: the synodic dance of Venus, the turning of zodiacal ages, and the slow precession of the equinoxes. These aren’t background details; they are the heartbeat of history.

Myth and Sacred Archetypes

But history alone cannot hold the human soul. That is why the book turns to myth, symbol, and archetype.
Through Sumerian hymns, Egyptian mysteries, and Vedic cosmology, I weave a mythopoetic narrative where gods and priestesses act as guides for humanity.

At the heart stands Princess Vah, a young priestess whose growing journey embodies prophecy, sacred sexuality, and resurrection. She is both human and more than human, torn between her divine calling and earthly desires, destined to carry forward the knowledge of a star-born race.

Visionary Prophecy

Parts of the book are written not as conventional prose but as scripture—with the cadence of Pauline epistles and the fire of prophetic vision. Across these pages, character voices from many cultures and lands speak: Egyptian mystical tones, Vedic echoes, and Homeric diction and cadence. This choral voice lets cosmic truths break through in mythopoetic flashes—comets as heavenly signs, the return of the gods, the law written in the stars.

The style itself mirrors the theme: a remembrance of forgotten revelation.

The Survivalist Undercurrent

Beneath the mythology runs a clear warning. Ancient civilizations built bunkers, underground cities, and sky-aligned temples not as ornaments, but as survival tools. They knew the cycles. They prepared.

My novel explores what they carried forward—and what we have forgotten. In an age when fire may once again sweep the skies, the question becomes urgent: will we repeat the same mistakes, or reclaim the wisdom left for us?

Two Civilizations, Two Paths

In the narrative, two kinds of civilization stand side by side:

  • One righteous, aligned with cosmic order, building in stone, geometry, and starlight.

  • One unrighteous, grasping at technology and ego, raising towers of pride only to see them destroyed by flood and flame.

This duality is not just ancient—it is the choice before us now.

The Core Message

At its heart, this book carries a simple but profound message:

Humanity once lived in harmony with cosmic order. We fell into forgetfulness after the flood. And now we stand again at the threshold—facing the fire, awaiting the return of the Shining Ones.

This is a story of endings and beginnings, of divine memory reborn, of humanity’s chance not just to survive but to become more than it has ever been.

Previous
Previous

Mauro Biglino

Next
Next

Cosmic Winter Epilogue Extended Summary